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    • GRAP5060 Designer's Toolkit >
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    • GRAP5090 The Critical Designer >
      • Week 1 Semiotics
      • Week 2 Reading words & images
      • Week 3 Decoding Advertisement
      • Week 4 The graphic code of comic books
      • Week 5 Subculture and style
      • Week 6 Gender, identity & representation
      • Week 7 Global culture & Ethical Design
      • Week 8 Post modernism & Visual culture
      • Week 9 The critical designer
      • Week 10 The research journey
      • Week 11 Academic presentation & Harvard referencing
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    • GRAP6050 Advanced Design Projects >
      • Project 1: Design For Exploration
      • Project 2: Design for identity
    • Dissertation - Gender roles: Nursing

Reading words & images

Words
Arbitary signifiers and require a knowledge of language, linguistic form, rules and culturally learnt. 
Plane of expression-How something is said, written down or designed effects the 'reading of meaning'.

Images
Iconic signifiers (resemble what they describe) are visually learnt/viewed/experiences.
Plane of abstraction-How an image is captured and rendered visually and how it affects the 'reading of meaning'.

Anchorage - Used to describe the relay of words and images. 

Types 
  • word specific
  • image specific
  • dual message
  • Interdependent (or convergent)
  • parallel (or divergent)

Denotation - Non coded - The most immediate sign of reading
Parallel and divergent - Following different paths
Picture
Rene Magritte: The Treachery of Images 1928/1929
Picture
‘The treachery of images’ highlights the gap between meaning and language. When Magritte used his chosen words and image, he opened up a conversation about the conventional notion about objects corresponding to words. He looks at the idea that what we want isn’t not as unassuming as what we see, but also the meaning hidden behind what’s is In front of you. 

​one of our tasks was to draw out Magritte's Treachery of images' pipe and figure out what we saw. 
Most of us in the lecture agreed it had connotations of rich, white middle aged men from the 1920's. Pipes signified class and their place in society as rich business owners. Smoking a pipe was only done by the upper class. 

The script text in the image is also quite elegant and classy, which to me could signify wealth. 
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  • HOME
  • ABOUT
  • PORTFOLIO
  • 1
    • TREASURE HUNT '19
    • BLOG TASKS
    • PROJECT BLOGS
  • 2
    • GRAP5060 Designer's Toolkit >
      • Alignment/Hierarchy
      • Negative space/contrast
      • Balance/Contrast
      • Proximity/Repititon
      • Communicating with audiences
    • GRAP5070 Type & Typography >
      • Magazine
      • Interactive PDF
    • GRAP5080 Graphic design projects >
      • Type Design
      • Branding and publicity
      • Infographic
    • GRAP5090 The Critical Designer >
      • Week 1 Semiotics
      • Week 2 Reading words & images
      • Week 3 Decoding Advertisement
      • Week 4 The graphic code of comic books
      • Week 5 Subculture and style
      • Week 6 Gender, identity & representation
      • Week 7 Global culture & Ethical Design
      • Week 8 Post modernism & Visual culture
      • Week 9 The critical designer
      • Week 10 The research journey
      • Week 11 Academic presentation & Harvard referencing
  • 3
    • GRAP6050 Advanced Design Projects >
      • Project 1: Design For Exploration
      • Project 2: Design for identity
    • Dissertation - Gender roles: Nursing